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PAUL SPERLING COLONIAL WALLPAPER

paul sperling colonial

The modernists didn’t want wallpapers on their walls. There once was a time when wallpaper represented class and comfort. The other thing that kills wallpaper is that everybody sells it. And most of it is ugly. They wanted white plaster. Wallpaper made a home look warm, welcoming and, above all, well-dressed.

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Barone doesn’t like wallpaper because she believes it gives rooms a suffocating feel and sometimes overwhelms focal pieces of furniture or art.

I really have to come up with something they can’t get anywhere else. Wallpaper made a home look warm, welcoming and, above all, well-dressed.

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Now, the better paper is too expensive. Imperial Wallcoverings, the nation’s leading wallpaper manufacturer and distributor, sells a new adhesive wallpaper that’s easier to hang. There once was a time when wallpaper represented class and comfort. Stores have begun to stock coolnial appliques of prepasted, vinyl-coated, strippable wallpaper so designs can be mixed and matched.

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As the century draws to a close, some designers say the decorating pendulum is sperlng back in wallpaper’s favor. They wanted white plaster.

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So he and his partner, Denise Fike, have turned their attention almost exclusively to designing custom soerling for pediatric hospitals and nursing homes. In an age of airy surroundings, spartan furnishings and downsized decorating, wallpaper has acquired a reputation as dated, gaudy and just plain boring. The shimmering-feather ceilings in your aunt’s foyer? And most of it is ugly. They may look wonderful in the summertime, but you have to put color in a room.

Wallpaper, decorators say, is more or less split into two distinct categories: The other thing cllonial kills wallpaper is that everybody sells it. Wallpaper’s popularity has dperling dramatically since the 17th Century, when well-heeled Europeans first were introduced to the sumptuous, landscaped papers of the Orient.

Even though wallpaper is functional–it sperping up holes and can be wiped clean–manufacturers have had to come up with innovative ways to keep customers sperlng in it. Remember the apple-and-pear pattern in your mom’s kitchen?

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People used to paper every year. Then came 18th Century industrialization, and almost anybody could afford wallpaper. If a client insists on decorating with a ready-made paper, Barone suggests it be used in small doses, “like a powder room. The new interest in antiques and Victorian-era furnishings is slowly creating a renewed interest in period designs. By the 19th Century, it was the finish of choice in the United States and Europe.

The red and blue airplanes in your brother’s room? That’s not the image wallpaper evokes anymore.

The modernists didn’t want wallpapers on their walls.